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Syd
Posted: Sun Aug 30, 2015 2:32 pm Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12944 Location: Norman, Oklahoma
Thursday was Greta Garbo day on TCM so I got to see The Painted Veil, based on a much-filmed W. Somerset Maugham novel. I wanted to see if Garbo and Herbert Marshall could overcome my usual loathing for Maugham, and, after some sticky moments,* they largely did. The last half hour, in which Garbo realizes what her husband's work really is and how her romantic triangle doesn't amount to a hill of beans in the face of a cholera epidemic, is both heavy-handed and moving. I've heard the remake with Edward Norton and Naomi Watts is even better.

So Maugham is now 1 for four.

*which are why it took three days to finish the movie.

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carrobin
Posted: Sun Aug 30, 2015 8:10 pm Reply with quote
Joined: 21 May 2004 Posts: 7795 Location: NYC
"Anonymous" was on the Ovation channel this afternoon, and it was a beauty to watch. I'd call it an alternative reality fantasy, though I know some people believe that Edward De Vere did write Shakespeare's plays and that Queen Elizabeth did have a child or two who were shunted off to well-connected adoptive parents. Derek Jacobi, as the bookend emcee, and Vanessa Redgrave, as the older queen, were the only actors I recognized, though when I looked it up on IMDb there were several familiar names. But the scenery was enthralling, both interiors and exteriors--the Globe Theatre, the candle-lit palaces, the skyline and streets of sixteenth-century London. I must admit that the shifts in time and the many bearded faces in semidarkness made it a little hard to follow at times--and Ovation's constant commercial interruptions didn't help. But it was quite interesting, and I'd watch it again--preferably on PBS, where they might slap those annoying promo ads on the screen every ten minutes, but at least there are no commercials.
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bartist
Posted: Mon Aug 31, 2015 8:40 am Reply with quote
Joined: 27 Apr 2010 Posts: 6967 Location: Black Hills
I liked the remake of The Painted Veil more than the Garbo original. Sigboth has a dvd, so might rewatch it.

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yambu
Posted: Mon Aug 31, 2015 5:59 pm Reply with quote
Joined: 23 May 2004 Posts: 6441 Location: SF Bay Area
Crossfire ('47) partially answers the question, why hadn't Hollywood, with all its Jews in high places, looked at anti-Semitism?

"Gentlemen's Agreement" and "Crossfire" were to come out the same year. In the latter, Army Sgt. Robert Ryan, off camera, beats a man to death. It doesn't take long for Det. Robert Young to puzzle it out:

“The motive had to be inside the killer himself. Something he brought with him, something he’d been nursing a long time. Something that had been waiting. The killer had to be someone who could hate Samuels without even knowing him.”

This is great stuff, though soon his character is to be allowed a ten minute sermon on prejudice in general, and Irish discrimination in particular. You can see the production wheels turning: "We gotta broaden our tent."

Robert Mitchum plays Robert Mitchum as the other Army Sarge, but who is given a bucketful of snappy lines, delivered mostly over card hands.

Young's Det. Finley pulls a very cool sleight of hand at the end, and that's all I can say.

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gromit
Posted: Tue Sep 01, 2015 4:22 pm Reply with quote
Joined: 31 Aug 2004 Posts: 9016 Location: Shanghai
I quite liked Mitchum in Crossfire.
It's probably time to re-watch that.

Well, the 5th and final film in the Colombia Pics Vol 3 set was rather a clunker.

Tight Spot stars Ginger Rogers as a tough wisecracking gal in prison. She gets furloughed to a nice hotel room while prosecutor Edward G. tries to convince her to testify against a mob boss (Lorne Green). Brian Keith is the primary policeman in charge of her safety. The last surprise witness, Rogers' friend, was recently gunned down on the courthouse steps. Actually that's the opening scene and pretty dramatic. But whatever happened to using the back or side entrance, and going right from a vehicle into the court building?

Anyway, the premise is fine. Good actors in key roles. And then ... it's a rather cliche-fest talkie, contrived and boring. Probably adapted from a play -- I didn't check -- it had that feel in the dialogue and the turn-taking interactions. Primarily the screenplay lets the whole production down. But Ginger Rogers, unaided by the stiff dialogue, doesn't really cut it as a tough dame and can't carry the film. Brian Keith is interesting but almost seems to be involved in a different more gritty film. There is one late twist, which has potential and involves Keith's character, but that gets snuffed out in uninspired fashion. And even the very end is rather cheesy.

So for those keeping score at home:
2 duds; 2 gems, and a solid outlier.

I be Julia Ross -- a solid drama/thriller, but hardly noirish.

Burglar - a very good noir with lots of style and some of the best Dan Duryea.

The Mob - Broderick Crawford romps around infiltrating the goons who have infiltrated the docks. Quite good.

Drive a Crooked Road low key Mickey Rooney in a rather silly film.

Tight Spot - a dud despite a solid premise and good actors.

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whiskeypriest
Posted: Wed Sep 02, 2015 7:48 am Reply with quote
Joined: 20 May 2004 Posts: 6916 Location: "It's a Dry Heat."
carrobin wrote:
"Anonymous" was on the Ovation channel this afternoon, and it was a beauty to watch. I'd call it an alternative reality fantasy, though I know some people believe that Edward De Vere did write Shakespeare's plays and that Queen Elizabeth did have a child or two who were shunted off to well-connected adoptive parents. Derek Jacobi, as the bookend emcee, and Vanessa Redgrave, as the older queen, were the only actors I recognized, though when I looked it up on IMDb there were several familiar names. But the scenery was enthralling, both interiors and exteriors--the Globe Theatre, the candle-lit palaces, the skyline and streets of sixteenth-century London. I must admit that the shifts in time and the many bearded faces in semidarkness made it a little hard to follow at times--and Ovation's constant commercial interruptions didn't help. But it was quite interesting, and I'd watch it again--preferably on PBS, where they might slap those annoying promo ads on the screen every ten minutes, but at least there are no commercials.
I think if I ever got around to seeing Pseudonymous I would probably stroke.

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gromit
Posted: Thu Sep 03, 2015 4:14 pm Reply with quote
Joined: 31 Aug 2004 Posts: 9016 Location: Shanghai
Jane Eyre (1943) with a prime Orson Welles and Joan Fontaine. I liked most of the cast including the three little girls (one of them played by Elizabeth Taylor).

It's almost shocking how cruel and callous the aunt and the religious schoolmaster are. Not that there aren't people today who treat children badly, it's just the moralistic self-righteous approach to child abuse has largely fallen out of favor.

The middle of the film is largely given over to an unpredictable Orson Welles/Rochester. Some of the film seems a bit abrupt and just when I was getting sucked in, it ended. It clocks in at 1'37. Interesting.

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yambu
Posted: Thu Sep 03, 2015 5:11 pm Reply with quote
Joined: 23 May 2004 Posts: 6441 Location: SF Bay Area
Harlan County, USA is the anatomy of a coal miners' strike in 1973. It is labeled a documentary, but it leaks into being a dramedy from time to time, especially when the bad guys get active.

This is a poverty community, all - ALL of whom are uneducated, with no place to go. They live in wood shacks with privies outside. Their health plans do not cover black lung.

When up against all or nothing, eloquence takes seed, and you will see and hear it when you least expect.

I'm following this one with Matewan.

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marantzo
Posted: Thu Sep 03, 2015 6:09 pm Reply with quote
Joined: 30 Oct 2014 Posts: 278 Location: Winnipeg: It's a dry cold.
gromit wrote:
Jane Eyre (1943) with a prime Orson Welles and Joan Fontaine. I liked most of the cast including the three little girls (one of them played by Elizabeth Taylor).

It's almost shocking how cruel and callous the aunt and the religious schoolmaster are. Not that there aren't people today who treat children badly, it's just the moralistic self-righteous approach to child abuse has largely fallen out of favor.

The middle of the film is largely given over to an unpredictable Orson Welles/Rochester. Some of the film seems a bit abrupt and just when I was getting sucked in, it ended. It clocks in at 1'37. Interesting.


" It's almost shocking how cruel and callous the aunt and the religious schoolmaster are."

Charlotte Brontė who was an excellent author, and wrote about the cruel and callous aunt and religious schoolmaster with very much reality in those times.

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Syd
Posted: Thu Sep 03, 2015 10:12 pm Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12944 Location: Norman, Oklahoma
In The Hitch-Hiker, two fishing buddies (Fred Lovejoy and Edmund O'Brien) pick up a psychopathic ex-convict (William Talman, best known as Perry Mason's perpetual opponent Hamilton Burger) who has been hitchhiking across country, forcing people to drive him on a route to Mexico then murdering them. The buddies are the last ride he needs and they drive him into Baja California. Meanwhile the American and Mexican police are putting misleading news on the radio while they close in on him.

The film is chiefly known for being the first notable film noir directed by a woman (Ida Lupino), which means it's unusual, but doesn't necessarily mean it's good. Although the story is actually pretty ordinary, Lupino is good at creating suspense and very effective at creating atmosphere. It's only about seventy minutes long, but a lot happens in those seventy minutes. Lupino, who also co-wrote the script, is economical in story and also expenditures. The film is notable enough to be in the National Film Registry. I'd say check it out.


Last edited by Syd on Fri Sep 04, 2015 6:52 am; edited 1 time in total

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gromit
Posted: Fri Sep 04, 2015 4:39 am Reply with quote
Joined: 31 Aug 2004 Posts: 9016 Location: Shanghai
marantzo wrote:

[i] " It's almost shocking how cruel and callous the aunt and the religious schoolmaster are."


Charlotte Brontė who was an excellent author, and wrote about the cruel and callous aunt and religious schoolmaster with very much reality in those times.


They treat her like crap and then when she objects to their slanders and distortions, they claim that's just more proof that she's evil.
Brow-beating a little kid. Harsh.

I like how the school treats her like crap and humiliates her for ten years -- there's a big jump in time of 8 years or so, so we only hear about the 10 years -- then think that she's meek enough (and with no other options) to continue on as a teacher and be cheap labor for the school. The headmaster tells the board that a real outside teacher would get double the salary. And then there's a tense moment when a letter answering her ad to work as a governess is in the hands of the cruel schoolmaster, who clearly thinks of disposing of it.

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gromit
Posted: Fri Sep 04, 2015 4:43 am Reply with quote
Joined: 31 Aug 2004 Posts: 9016 Location: Shanghai
Hitch-hiker is a pretty tense B film. Quite good.
I'd like to see more Lupino directed films ...

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carrobin
Posted: Fri Sep 04, 2015 9:43 am Reply with quote
Joined: 21 May 2004 Posts: 7795 Location: NYC
Every once in a while, TCM has a film directed by Lupino. I recall "The Hitch-Hiker" as being pretty good, considering that it wasn't my usual choice of subject.
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gromit
Posted: Fri Sep 04, 2015 3:46 pm Reply with quote
Joined: 31 Aug 2004 Posts: 9016 Location: Shanghai
Not sure how I missed The Children's Hour for so long.
Audrey Hepburn, James Garner, directed by William Wyler. Even Shirley MacLaine is tolerable here, though her voice is too harsh when she yells/talks loudly. I read the play a long time ago.

It's all handled well, except a few awkward moments, such as when Garner leaves, or when characters are standing in the background during the accusation scenes. I assume these moments work better in the play. It also doesn't make too much sense that the aunt comes back, even if she is desperate. If this was national news, she'd know that the school was folding, and that her failure to turn up doomed them.

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yambu
Posted: Sat Sep 05, 2015 4:28 pm Reply with quote
Joined: 23 May 2004 Posts: 6441 Location: SF Bay Area
Matewan, 1986, is perfect for Chris Cooper, who arrives in a freight car in Matewan, WVA, to begin organizing the local coal miners. He's a typical loan wolf Wobbly, a "Red" in the middle of the Red Scare of the Twenties. He doesn't say much, but he can speak to the heart when necessary.

David Strathairn seems like an oddball police chief, but he has a lion's courage. And he gets the best line of the show. Referring to some infamous goon, "I wouldn't pee on him if his heart was on fire."

One sour note was having to watch some boy wonder preach not one but two sermons. He's the reason why we don't seek out teenagers for wisdom.

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