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| Nancy |
Posted: Wed Feb 27, 2008 1:04 pm |
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Joined: 20 May 2004
Posts: 4607
Location: Norman, OK
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gromit wrote: I know when I first go back to the US after a good deal of time in China (or otherwise abroad) my antennae are especially culturally sensitive. Then after a few weeks I realize that Americans don't have antennae and I put them away.
Yep, they're a dead giveaway that you're from Mars. |
_________________ "All in all, it's just another feather in the fan."
Isaacism, 2009 |
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| lady wakasa |
Posted: Wed Feb 27, 2008 2:12 pm |
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Joined: 21 May 2004
Posts: 5911
Location: Beyond the Blue Horizon
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Nancy wrote: gromit wrote: I know when I first go back to the US after a good deal of time in China (or otherwise abroad) my antennae are especially culturally sensitive. Then after a few weeks I realize that Americans don't have antennae and I put them away.
Yep, they're a dead giveaway that you're from Mars.
Well, he is a guy. |
_________________ ===================
http://www.wakasaworld.com |
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| Trish |
Posted: Wed Feb 27, 2008 4:11 pm |
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Joined: 21 May 2004
Posts: 2438
Location: Massachusetts
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Rod wrote: I just watched The Good Shepherd. It's a long, dense, dark, compelling film that was far from perfect and yet involved me and affected me more than the last three best picture Oscar winners put together. Obviously highly influenced by the Smiley sequence, it also bears comparison with Norman Mailer's novel on the same character, Harlot's Ghost. I can see why it was not popular. Matt Damon's Edward Wilson is such a cagey, enclosed character, and his motivations are kept so shadowy, that he refuses to be a hero, or even an anti-hero, we can relate to or feel superior to. What emerges is a tragic portrait of a man so determined to avoid becoming his father that he destroys everyone around him rather than himself. Robert De Niro's subtle, laconic storytelling is occasionally near-baffling and yet fits together with a fierce concentration that resembles De Niro's best acting.
Its a wonderful film - Damon so deserved an oscar nomination for his beautifully subtle acting performance. The film was misunderstood and tragically overlooked for award consideration last year. Thanks for commenting on it. |
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| Marj |
Posted: Thu Feb 28, 2008 12:10 am |
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Joined: 21 May 2004
Posts: 10497
Location: Manhattan
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| I agree so much. I also think Damon is a sadly underrated actor. |
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| Rod |
Posted: Thu Feb 28, 2008 5:08 am |
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Joined: 21 Dec 2004
Posts: 2944
Location: Lithgow, Australia
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| In fact, I'm fucking Matt Damon. |
_________________ A long time ago, but somehow in the future...It is a period of civil war and renegade paragraphs floating through space. |
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| jeremy |
Posted: Thu Feb 28, 2008 5:31 am |
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Joined: 21 May 2004
Posts: 6794
Location: Derby, England and Hamilton, New Zealand (yes they are about 12,000 miles apart)
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| Was that fucking as a verb or fucking as an emphatic adjective? |
_________________ I am angry, I am ill, and I'm as ugly as sin.
My irritability keeps me alive and kicking.
I know the meaning of life, it doesn't help me a bit.
I know beauty and I know a good thing when I see it. |
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| Rod |
Posted: Thu Feb 28, 2008 5:41 am |
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Joined: 21 Dec 2004
Posts: 2944
Location: Lithgow, Australia
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| tirebiter |
Posted: Thu Feb 28, 2008 8:01 am |
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Joined: 20 May 2004
Posts: 4011
Location: not far away
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| Befade |
Posted: Thu Feb 28, 2008 2:16 pm |
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Joined: 20 May 2004
Posts: 3784
Location: AZ
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I happened across a movie on the Sundance channel that makes Britany Spears look like Mother of the Year. Asia Argento wrote, directed and stars in The Heart is Deceitful Above All Things. She plays a mother who regains custody of her 7 year old son and takes him on a joy ride through hell. It wasn't an easy movie to watch.......and I couldn't stop watching it. It's an underworld of abuse, drugs, prostitution and corrupt religion.....that may be too close to some people's reality.
Asia is unafraid to look and act wretched. She's got bits from Peter Fonda, Michael Pitt and Marilyn Manson fueling the fire. Gone Baby Gone is lightweight in comparison. See it if you dare. |
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| mo_flixx |
Posted: Thu Feb 28, 2008 8:54 pm |
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Joined: 30 May 2004
Posts: 12533
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Befade wrote: I happened across a movie on the Sundance channel that makes Britany Spears look like Mother of the Year. Asia Argento wrote, directed and stars in The Heart is Deceitful Above All Things. She plays a mother who regains custody of her 7 year old son and takes him on a joy ride through hell. It wasn't an easy movie to watch.......and I couldn't stop watching it. It's an underworld of abuse, drugs, prostitution and corrupt religion.....that may be too close to some people's reality.
Asia is unafraid to look and act wretched. She's got bits from Peter Fonda, Michael Pitt and Marilyn Manson fueling the fire. Gone Baby Gone is lightweight in comparison. See it if you dare.
I saw this movie, too. Asia Argento is really amazing. A very talented actress and director. I saw her first movie, THE SCARLETT DIVA, a few weeks ago.
THE HEART... reminded me a bit of SHERRY BABY only much much darker.
After watching Marty Scorsese's marvelous documentary on Val Lewton, I bought the box set and am working my way thru the films. So far I've only seen CAT PEOPLE and CURSE OF THE CAT PEOPLE. The films are short and easy to watch during an evening. I had forgotten how sensitive Lewton is to the psychology of his characters. I had not realized that he seemed to have suffered from depression. So far the commentaries have been worthwhile - very good for trivia, location details, and info. about the actors and Lewton.
A must see. |
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| Rod |
Posted: Fri Feb 29, 2008 8:33 am |
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Joined: 21 Dec 2004
Posts: 2944
Location: Lithgow, Australia
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The Descent
Neil Marshall's second exercise in studying a besieged group in a remote place at the mercy of monsters is exceptionally well-made, and pretty gripping, but dramatically slight, and walks literally into a dead end. The hints of a misanthropic "people are more dangerous monsters" theme weren't built with much depth, and the undercurrents suggested never built to anything of consequence in a straight chase-and-chomp narrative - Sarah's eventual murder of her last remaining companion seemed more a conceit, an illogical extension of an under-developed theme, rather than a dark fulfillment. It lacks Dog Soldiers' deft characterization and impudent humour, replacing it with fashionable grimness and clunky dream sequences. The music's constant evocation of Ennio Morricone's score for The Thing had me wondering when Kurt Russell was going to stumble in. |
_________________ A long time ago, but somehow in the future...It is a period of civil war and renegade paragraphs floating through space. |
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| Syd |
Posted: Fri Feb 29, 2008 11:15 am |
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Site Admin
Joined: 21 May 2004
Posts: 12944
Location: Norman, Oklahoma
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| The Descent is one of those movies you have to see in movie theaters to get the full effect. It got to me well before I got to see the critters. It relies on the feeling of being trapped and fear of the dark. I can't imagine what it would be like for someone who has claustrophobia. |
_________________ Rocky Laocoon foretold of Troy's doom, only to find snaky water. They pulled him in and Rocky can't swim. Now Rocky wishes he were an otter! |
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| jeremy |
Posted: Fri Feb 29, 2008 4:54 pm |
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Joined: 21 May 2004
Posts: 6794
Location: Derby, England and Hamilton, New Zealand (yes they are about 12,000 miles apart)
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I think Rod is right.
The Descent is a highly effective genre horror film, which was a lot slicker than its thematically similar predescessor Dog Soldiers. And with its all woman, no-damsels-in-distress cast, it overturned enough horror conventions to seem abattoir fresh. However, the subplots and interplay between the characters are so undercooked as to be pink on the outside. But maybe that was deliberate; it could be that the filmmakers didn't want a meatier film. I mean the audience wouldn't know what was what being served up. |
_________________ I am angry, I am ill, and I'm as ugly as sin.
My irritability keeps me alive and kicking.
I know the meaning of life, it doesn't help me a bit.
I know beauty and I know a good thing when I see it. |
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| Rod |
Posted: Sat Mar 01, 2008 5:38 am |
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Joined: 21 Dec 2004
Posts: 2944
Location: Lithgow, Australia
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Shadowless Sword (2005)
is a zippy Korean imitation of the Crouching Hero Tigers with Flying Daggers nouveau-wu xia genre mixed with a liberal dash of Lord of the Rings, mercifully free of Ang Lee self-seriousness. The film has that familiar, richly disarming quality of so much Asian genre fare of beginning goofily but blooming with operatic emotion. Exiled warrior-prince Gun Hwa-pyung (Hyeon-jun Shin) is making a living as a shady purveyor of stolen goods, when super-femme-warrior Yeon So-ha (the mega-cute So-yi Yoon) arrives to take him back to become king and resist their country's domination by their villainous neighbours. On their ass are Dae Jung-hyun (Seo-jin Lee), a bad guy with an axe to grind with Hwa-pyung's royal clan, and his foxy girlfriend/super-femme-warrior Mae Yung-ok (Ki-yong Lee), who engages in several super-femme-warrior catfights with So-ha. The narrative proceeds apace, but I didn't notice much through becoming lost in imagining the heroine and villainess gettin' it on. Oh yeah, and when they're stabbed, people explode in red dust. Pure eye-candy. |
_________________ A long time ago, but somehow in the future...It is a period of civil war and renegade paragraphs floating through space. |
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| tirebiter |
Posted: Sat Mar 01, 2008 10:41 am |
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Joined: 20 May 2004
Posts: 4011
Location: not far away
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| I agree with Syd: The Descent was excellent in a movie theatre; it loses 75% of its power on a small screen. |
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