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Syd
Posted: Thu Apr 25, 2013 11:17 am Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12921 Location: Norman, Oklahoma
I've seen A Taste of Cherry and Close-Up, but I don't remember if he did that in those movies.

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knox
Posted: Thu Apr 25, 2013 12:03 pm Reply with quote
Joined: 18 Mar 2010 Posts: 1246 Location: St. Louis
I think Taste of Cherry did end kind of that way, quite abruptly and with a similarly "framed" situation, in that case the Persian guy looking up out of his grave as a thunderstorm starts up. Then it went to a long blackout (hey, symbolism!). Then some kind of strange credits sequence with camcorders shots of the film crew making the film. And ATOC also has lots of landscape shots that are framed by a car window.
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bartist
Posted: Thu Apr 25, 2013 1:55 pm Reply with quote
Joined: 27 Apr 2010 Posts: 6958 Location: Black Hills
AToC did indeed end that way...another "window" into...the void...and the same absence of a denouement or whatever you want to call it. I always picture the guy, like Chief Dan George in "Little Big Man" - it starts to rain, droplets spatter his face, he opens his eyes and sits up, shrugs, says to LBM: "Huh. Maybe it's NOT a good day to die."

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Syd
Posted: Fri Apr 26, 2013 1:33 am Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12921 Location: Norman, Oklahoma
This is Not a Film is difficult to review in a Film Forum because it is Not a Film while being a film thereby proving Godel's Theorem for movies.

In any case, it is a day in the life of banned Iranian film director Jafar Panahi as he awaits word on the appeal of his six-year prison sentence and twenty-year ban from directing. To get around the ban, he either is filmed by Mojtaba Mirtahmasb or uses a stationary camera, reasoning that he's not forbidden from acting or describing films. It's also the Iranian New Year, which has been celebrated with firecrackers (a practice the mullahs are trying to ban so it's also a form of protest). At one point we see dramatic TV images of the flooding from the Japanese earthquake of 2011 on Panahi's huge TV screen.

As Mirtahmasb leaves, they encounter a trash collector whom Panahi starts to record with his cell phone, then eventually grabs the camera and films the young man all the way from the 9th floor and into the basement. This is surprisingly entertaining. (It also violates the directing ban.)

This film made a star of Igi the Iguana, Panahi's daughter's pet, who's fascinating to watch, especially as Igi decides to climb up Parani as Parani is looking up filtered sites on his laptop. I never realizes iguanas shared this habit with cats. No word yet on whether Igi wants to direct.

Overall, the Not a Film does suffer from the limitation of the filming situation, but is interesting in showing how creativity will find an out even under oppression, even it takes smuggling a flash drive in a birthday cake, which is how this not-a-film got out of Iran. The DVD has a commentary giving much more detail on filmmaking conditions in Iran.

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gromit
Posted: Sat Apr 27, 2013 3:12 pm Reply with quote
Joined: 31 Aug 2004 Posts: 9010 Location: Shanghai
This is Not a Film is interesting as a protest, and glimpse into both normal and abnormal life in Iran.
The film itself is a bit slight, as basically Panahi is frustrated at being kept in limbo and not allowed to work, so he documents his inaction and unfulfilled ideas.

I found it interesting that the New Year's celebrations are described as fireworks, which there are, but just outside Panahi's apartment building they also have open fires they appear to pouring gasoline on at intervals. Filmed from inside the gates of the apartment -- he can't safely bring the camera out in public -- it makes the outside world look hellish.

I have a few of his early films here and don't think I've seen any of them. I'll dig out Crimson Gold. Not sure if I have The Circle.

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Syd
Posted: Sun Apr 28, 2013 12:09 am Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12921 Location: Norman, Oklahoma
Caught the end of Four Weddings and a Funeral, which I still love, although I should really get my own copy to fully appreciate Scarlet's ring. I like the little romances in the background, like the girl who has sort-of-learned sign language to communicate with Charles's deaf brother. But can poor Fishface (or Fiona) ever find true love? At least Charles (Hugh Grant) did finally get a well-deserved smack on the face.

Edit: DUCKface. Maybe I should just stick to calling her Henrietta.


Last edited by Syd on Sun Apr 28, 2013 2:26 pm; edited 1 time in total

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I had a love and my love was true but I lost my love to the yabba dabba doo, --The Flintstone Lament
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whiskeypriest
Posted: Sun Apr 28, 2013 11:09 am Reply with quote
Joined: 20 May 2004 Posts: 6916 Location: "It's a Dry Heat."
Didn't she marry Prince Charles?

4w&1F goes on the list with Groundhog Day of RomComs so good even Andie MacDowell cannot spoil them, no matter how hard she tries. And lord but she tries.

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Syd
Posted: Sun Apr 28, 2013 2:25 pm Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12921 Location: Norman, Oklahoma
whiskeypriest wrote:
Didn't she marry Prince Charles?

4w&1F goes on the list with Groundhog Day of RomComs so good even Andie MacDowell cannot spoil them, no matter how hard she tries. And lord but she tries.


Fiona married Prince Charles and Duckface found somebody too. Matthew got a new boyfriend. Charles and Carrie are living in sin.

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jeremy
Posted: Sun Apr 28, 2013 4:26 pm Reply with quote
Joined: 21 May 2004 Posts: 6794 Location: Derby, England and Hamilton, New Zealand (yes they are about 12,000 miles apart)
The much derided last line in FW&AF would have been fine if Andie McDowell had said it with believable irony. Maybe it was too English a line for her.

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whiskeypriest
Posted: Sun Apr 28, 2013 4:52 pm Reply with quote
Joined: 20 May 2004 Posts: 6916 Location: "It's a Dry Heat."
jeremy wrote:
The much derided last line in FW&AF would have been fine if Andie McDowell had said it with believable irony.
Or even a modicum of acting talent. She is beyond her acting depth in L'Oreal commercials.

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Befade
Posted: Sun Apr 28, 2013 5:50 pm Reply with quote
Joined: 20 May 2004 Posts: 3784 Location: AZ
Syd and Gromit........I saw This is Not a Film a while back. The thing that stuck with me was the standard of living the filmmaker had......pretty comfortable......didn't expect that. Reminds me of Ai Wei Wei........government oppression of artists. That film is a blockbuster.

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whiskeypriest
Posted: Sun Apr 28, 2013 6:23 pm Reply with quote
Joined: 20 May 2004 Posts: 6916 Location: "It's a Dry Heat."
Watched Coriolanus. Liked it a good deal, being a fan of both Shakespeare and Ralph Fiennes in full forehead vein throbbing mode, which he is in for most of the movie - which was actually a bit much, even for me. Redgrave was pretty great.

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Syd
Posted: Sun Apr 28, 2013 6:32 pm Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12921 Location: Norman, Oklahoma
Befade wrote:
Syd and Gromit........I saw This is Not a Film a while back. The thing that stuck with me was the standard of living the filmmaker had......pretty comfortable......didn't expect that. Reminds me of Ai Wei Wei........government oppression of artists. That film is a blockbuster.


Panahi's living in a house on the Caspian Sea. I get the impression he's pretty well-to-do. Apparently he's not under house arrest, just forbidden to leave Iran.

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I had a love and my love was true but I lost my love to the yabba dabba doo, --The Flintstone Lament
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gromit
Posted: Sun Apr 28, 2013 11:24 pm Reply with quote
Joined: 31 Aug 2004 Posts: 9010 Location: Shanghai
I think he's comfortably middle class, or upper middle class -- part of the educated elite. I think his wife is a nurse.
I like the idea of people in America seeing that people live normal lives in normal apartments in Iran.
Panahi has tweaked the gov't at times publicly and hasn't been afraid to make political statements, and not surprisingly a regime such as Iran's has taken measures against him. This Is Not A Film is exactly the type of protest and defiance Panahi has specialized in in the past. He's brave. But also facing a 6 year prison sentence.

The Iranian Gov't has to balance their desire to punish and silence Panahi with all the bad publicity and international protest they receive from punishing and silencing a well-known artist. Yes there are parallels with Ai Wei Wei, and I'd like to see the doc on him. But it's also reminiscent of Zhang YiMou's relationship with the PRC Gov't. He was banned from making films for a few years because the gov't didn't like the social criticisms in his films, similar to Panahi's focus on women's rights. Zhang also happened to be the most famous Chinese filmmaker, more akin to Kiarostami, and the gov't was trying to promote Chinese film/culture, so they patched things up. Zhang not as political as Panahi, and more willing to veer off into commercial fare to stay on the good side of the censors.

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yambu
Posted: Mon Apr 29, 2013 10:30 pm Reply with quote
Joined: 23 May 2004 Posts: 6441 Location: SF Bay Area
whiskeypriest wrote:
Watched Coriolanus. Liked it a good deal, being a fan of both Shakespeare and Ralph Fiennes in full forehead vein throbbing mode, which he is in for most of the movie - which was actually a bit much, even for me. Redgrave was pretty great.
Glad to know about this. Wife and I are in the midst of our Nothing But Shakespeare Project. We are watching twenty of his twenty-six plays, often twice, plus second or third productions when available. We're supplementing everything with lectures from the Great Courses, a CD series from the Royal Shakespeare Company called "Playing Shakespeare", and finally Harold Bloom's enormous "Shakespeare: the Invention of the Human".

I would independently recommend the four discs of Playing Shakespeare ('84) - Ben Kingsley, Judi Dench, Ian McKellen, Patrick Stewart, et al, practicing their craft under the gentle guidance of the legendary John Barton.

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