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Joe Vitus
Posted: Sun Nov 22, 2009 5:41 am Reply with quote
Joined: 20 May 2004 Posts: 14498 Location: Houston
billyweeds wrote:
Marc--I have read Pictures at a Revolution and liked it too. Godard comes off like a pretentious asshole and a total user.

Which I can accept while still considering him among the greatest directors, ever.

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gromit
Posted: Sun Nov 22, 2009 6:41 am Reply with quote
Joined: 31 Aug 2004 Posts: 9010 Location: Shanghai
Billy, there was a lot I wanted to say about the acting and characters in 5-ATH. I also meant to mention the absolutely boffo Reno parking garage. But yes Brian Keith is interesting as hell in 5. I like when they are heisting and, with the fake mustache and cowboy hat, he switches into a completely different gear.

Damn, I just have to think of that hokey-ass robbery and I start laughing out loud.

5-ATH only has a measly 188 IMDb votes and most the comments didn't seem to catch the genius of the film. They mostly wanted more action and think it's too slow.

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billyweeds
Posted: Sun Nov 22, 2009 8:05 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
gromit--Five Against the House has suddenly appeared atop my Netflix queue. I'm agog. Can't wait to see it again.

Among other things, it totally trumps (!) all of the Oceans Eleven crap, past and more recent past.

FYI Stirling Silliphant won the Oscar for In the Heat of the Night.
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billyweeds
Posted: Sun Nov 22, 2009 8:14 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
gromit wrote:


5-ATH only has a measly 188 IMDb votes and most the comments didn't seem to catch the genius of the film. They mostly wanted more action and think it's too slow.


It's the result of MTV and such stuff creating a lethally ADD-inflicted younger generation.
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gromit
Posted: Sun Nov 22, 2009 9:39 am Reply with quote
Joined: 31 Aug 2004 Posts: 9010 Location: Shanghai
Cool.
But don't expect too much.
It's a glorious B pic.
It certainly helped that the Amazon review I skimmed through to get a feel of the set called it the weakest link, so I put it on 3rd to get past it, and not to have better films overshadow it. Instead I had a great time.

I think Silliphant had a lot of fun writing the dialogue. When the plan is hatched and Brian Keith contemplates it silently, the wiseacre friend nervously asks, "What are you shutting up about?"
Later Brian Keith is told by one candidate that he needs a nice girl. His Mae Westerly reply: "A nice girl has nothing to do with what I need."

Keep the Animal House connection in mind, I think 5 Against might have had some influence.

The nice thing here is that the whole set is on just 3 discs, so 5 Against and The Lineup are on the same disc. Too bad the real product is a 5-disc set. I was ready to ask you to comment on The Lineup also.

I've never seen any of the Ocean films, original or recent. But they don't sound that great. I think I prefer French heist films. But it's not really a favorite genre of mine. Maybe I'll try more another year. I've only just started getting into Western and War films the past two years.


Last edited by gromit on Sun Nov 22, 2009 11:54 am; edited 1 time in total

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billyweeds
Posted: Sun Nov 22, 2009 10:04 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
gromit--That collection is very solid. The Big Heat is absolutely amazing, IMO Fritz Lang's best American movie, and all the others are worthwhile. Not a clunker in the lot.
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marantzo
Posted: Sun Nov 22, 2009 10:13 am Reply with quote
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The original Ocean's Eleven is no masterpiece, but it is fun in a hokey rat pack, corny pseudo hipster way. It's also a brightly coloured, candy coated look at Las Vegas. I saw it the first time I was in Las Vegas, the day after I'd lost money late into the night before. My friend and I went to see it, not having any more money to lose. We had no idea it took place in Sin City. That made it even more fun and as the movie visited each casino, I would say, "I lost money in that one." Unfortunately true.
billyweeds
Posted: Sun Nov 22, 2009 10:48 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
marantzo wrote:
The original Ocean's Eleven is no masterpiece, but it is fun in a hokey rat pack, corny pseudo hipster way. It's also a brightly coloured, candy coated look at Las Vegas. I saw it the first time I was in Las Vegas, the day after I'd lost money late into the night before. My friend and I went to see it, not having any more money to lose. We had no idea it took place in Sin City. That made it even more fun and as the movie visited each casino, I would say, "I lost money in that one." Unfortunately true.


You saw it under unique circumstances. I saw it at my neighborhood theater and was completely turned off by the rat pack and its smarmy, inbred "hipness." Sinatra and Martin were revolting, though both sang well.
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Syd
Posted: Sun Nov 22, 2009 11:41 am Reply with quote
Site Admin Joined: 21 May 2004 Posts: 12921 Location: Norman, Oklahoma
lady wakasa wrote:
Fly-by post:

I watched Toki o kakeru shôjo (The Girl Who Leapt Through Time , 2006; Japanese anime) last night. It's a sort-of sequel to a 1983 live-action film (which is either The Girl Who Leapt Through Time or The Girl Who Ran Through Time; the difference is important but this is fly-by so I'm not going to look it up), redone in 1994, which in its turn is an adaptation of a novel and earlier serialization of that story. This is a story that's become integrated into Japanese popular culture.

Most of the anime I watch is really geared towards adults; this is more late teen / young adult fare. The story itself is about an older high school student - clumsy as anything, late for everything, and affectionately called baka (idiot) by her two best friends - who finds out one day that she suddenly can have "do overs": if something bad just happened, like the pop quiz she just got 9% on, she can take a leap, go back in time and change events.

Cute enough; but the interesting part comes up when she starts realizing the consequences of all those changes - and what's behind her new-found powers. It becomes a bit of a bildungsroman (okay, I like using that word), a cautionary tale about getting what you want, and something else that I can't tell you without spoiling things.


I was watching this last night. I thought it was rather paced, with a major change in tone about an hour in. I also thought it came to several false endings which made it seem longer than it was. (I'ts 98 minutes but seems more like a two-hour film. Is my guess right that Auntie Witch was a time leaper from one of the earlier films?

I liked the special effects that went with her time leaping.

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lady wakasa
Posted: Sun Nov 22, 2009 12:16 pm Reply with quote
Joined: 21 May 2004 Posts: 5911 Location: Beyond the Blue Horizon
Syd wrote:
lady wakasa wrote:
Fly-by post:

I watched Toki o kakeru shôjo (The Girl Who Leapt Through Time , 2006; Japanese anime) last night. It's a sort-of sequel to a 1983 live-action film (which is either The Girl Who Leapt Through Time or The Girl Who Ran Through Time; the difference is important but this is fly-by so I'm not going to look it up), redone in 1994, which in its turn is an adaptation of a novel and earlier serialization of that story. This is a story that's become integrated into Japanese popular culture.

Most of the anime I watch is really geared towards adults; this is more late teen / young adult fare. The story itself is about an older high school student - clumsy as anything, late for everything, and affectionately called baka (idiot) by her two best friends - who finds out one day that she suddenly can have "do overs": if something bad just happened, like the pop quiz she just got 9% on, she can take a leap, go back in time and change events.

Cute enough; but the interesting part comes up when she starts realizing the consequences of all those changes - and what's behind her new-found powers. It becomes a bit of a bildungsroman (okay, I like using that word), a cautionary tale about getting what you want, and something else that I can't tell you without spoiling things.


I was watching this last night. I thought it was rather paced, with a major change in tone about an hour in. I also thought it came to several false endings which made it seem longer than it was. (I'ts 98 minutes but seems more like a two-hour film. Is my guess right that Auntie Witch was a time leaper from one of the earlier films?

I liked the special effects that went with her time leaping.


Not sure if "paced" is well-, badly- or neutral, but I hope you liked watching it.

...and I kept waiting for her to do some serious damage while leaping, LOL. (and she came close)

Actually, if you like those effects, you might like the effects in Abenobashi Magical Shopping Arcade when they travel between alternate universes. But that's a completely different story otherwise.

Yes, the auntie was the protagonist from the earlier story / book.

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lady wakasa
Posted: Sun Nov 22, 2009 1:10 pm Reply with quote
Joined: 21 May 2004 Posts: 5911 Location: Beyond the Blue Horizon
Some interesting - and seminal - online watching fir yew:

http://www.theauteurs.com/cinemas/11

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Ghulam
Posted: Sun Nov 22, 2009 11:30 pm Reply with quote
Joined: 20 May 2004 Posts: 4742 Location: Upstate NY
Teerence Davies's Of Time and the City is a nostalgic homage in poetry and film to the city of his birth, Liverpool. There are some old and new shots of the city, and close ups of a lot of men, women and children, slums, churches and schools, but the most striking part is the narration, which is a long and beautiful poem.
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yambu
Posted: Mon Nov 23, 2009 1:19 am Reply with quote
Joined: 23 May 2004 Posts: 6441 Location: SF Bay Area
The Singing Revolution is a documentary about Estonia. It starts with a snapshot of their history, they having been occupied for about seven hundred years, either by the Russians, Germans, Swedes or Finns, achieving independence from 1920 until 1939, when Stalin moved back in. Then began the dreary Soviet days until 1990.

It's a country of one million, and the primary way they held onto their culture and identity has always been through large gatherings of choral groups before massive audiences.

The movie is mostly about those gatherings through the hard times, and how central they were in their winning true independence with not a shot being fired (unlike the two other Baltic states).

Narrated by Linda Hunt. Prepare to be uplifted.

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gromit
Posted: Mon Nov 23, 2009 2:53 am Reply with quote
Joined: 31 Aug 2004 Posts: 9010 Location: Shanghai
Interesting.
When I was in Estonia, we couldn't stay in Tartu (the second largest city and home of the main university) because all of the hotels were filled due to a large university choir competition.
We were a little surprised that a singing competition would book up the second largest city in a country, but it is a small country. Wonder if I'll ever find the doc.

Estonia had an efficient Scandinavian vibe, and has made it through the Great Recession better than the other Baltic countries.

From wiki:
Quote:
The tradition of Estonian Song Festivals (Laulupidu) started at the height of the Estonian national awakening in 1869. Today, it is one of the largest amateur choral events in the world, as the joint choir usually comprises 18,000 people. In 2004, a total of 34,000 participated in the Song Festival, held before an audience of 200,000. Since 1928, the Tallinn Song Festival Grounds (Lauluväljak) host the event every five years in July. The next festival will take place in 2009. In addition, Youth Song Festivals are held in every five years, last of them in 2007.

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billyweeds
Posted: Mon Nov 23, 2009 9:34 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
Forgot to mention in my review of Splendor in the Grass that Natalie Wood, who was never used as well before or after, gave a performance that topped anything Elizabeth Taylor ever did. The comparison is apt since both Wood and Taylor were unbelievably beautiful women whose talents were either under- or oversold because of their stunning looks. Wood never won an Oscar, but her Splendor turn was better than Taylor's Butterfield 8 or Cat on a Hot Tin Roof or Raintree County or...the list goes on and on and IMO includes Who's Afraid of Virginia Woolf?, the Nicole Kidman "I'm a beauty who doesn't mind uglying up" winner of its era.
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