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| jeremy |
Posted: Wed Feb 06, 2008 8:46 am |
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Joined: 21 May 2004
Posts: 6794
Location: Derby, England and Hamilton, New Zealand (yes they are about 12,000 miles apart)
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I'd like to nominate Keira Knightley in POTC: WE. Just coz she's got a figure like a plank of wood there's no need for her to...
Actually, I think she looks quite good in breeches and a tri-cornered hat.
Sometimes I worry about myself. |
_________________ I am angry, I am ill, and I'm as ugly as sin.
My irritability keeps me alive and kicking.
I know the meaning of life, it doesn't help me a bit.
I know beauty and I know a good thing when I see it. |
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| Rod |
Posted: Wed Feb 06, 2008 9:14 am |
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Joined: 21 Dec 2004
Posts: 2944
Location: Lithgow, Australia
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| Finally got around to watching Bad Education. A long way from Almodovar's best, and it kind of goes nowhere, it's still got a fascinating layering that's almost novelistic, an edge of provocation and curiosity that makes it absorbing, and his formal mastery is at its peak. Much better pseudo-Hitchcockian melodrama than Volver. |
Last edited by Rod on Wed Feb 06, 2008 9:59 am; edited 1 time in total _________________ A long time ago, but somehow in the future...It is a period of civil war and renegade paragraphs floating through space. |
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| Joe Vitus |
Posted: Wed Feb 06, 2008 9:48 am |
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Joined: 20 May 2004
Posts: 14498
Location: Houston
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| Glad to find someone else as unimpressed as I was. I thought Gael García Bernal was mundane in the kind of role that Antonio Banderas would have played to the hilt back in the days when he worked with Almodovar. |
_________________ You've got a great brain. You should keep it in your head.
-Topher |
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| Joe Vitus |
Posted: Wed Feb 06, 2008 9:51 am |
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Joined: 20 May 2004
Posts: 14498
Location: Houston
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| Speaking of which, I've wanted to buy the Almodovar DVD collection simply because it's the only way to get Law of Desire in the States. But someone told me the sex scenes have been censored. Does anyone know if this is true? Were they already censored on the earlier VHS release, or has more been done? I hate to buy a box set for one movie, only to find it's less than what I used to watch on video. |
_________________ You've got a great brain. You should keep it in your head.
-Topher |
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| mo_flixx |
Posted: Fri Feb 08, 2008 1:51 am |
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Joined: 30 May 2004
Posts: 12533
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SHOOT 'EM UP is a fast-paced cartoonish action picture starring Clive Owen, Monica Bellucci and Paul Giamatti. Director Mike Davis drew 17,000 cartoons which he animated for all the action sequences. He used these both as a presentation for financing and to show the actors and DP exactly what he had in mind for each scene.
Owen plays a carrot-wielding action hero who is trying to save an orphaned infant from a band of ruthless killers led by Paul Giamatti. Giamatti is just as evil a villain as I have ever seen. He is both funny and genuinely creepy.
I wonder how Trish liked Owen. I thought he was just about perfect in this movie - one of the best things I've seen him do.
This is a very rentable movie. A guilty pleasure and a whole lot more. I loved the rooftop scene with the lit sign. Davis throws in a lot of offbeat humor along with all the violence. |
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| Syd |
Posted: Fri Feb 08, 2008 2:00 am |
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Site Admin
Joined: 21 May 2004
Posts: 12944
Location: Norman, Oklahoma
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I didn't like 2 Days in Paris, in which a female photographer (Julie Delpy) and her boyfriend (Adam Goldberg) complete their disastrous European vacation with two days in her home town visiting her parents, meeting her numerous old boyfriends and slouching more and more toward a break-up. The big problem is that Goldberg's character is a self-centered whining jealous jerk that I don't believe would last beyond the first date with the photographer. Although she is vision-impaired, I don't think she's supposed to be deaf as well. Delpy's better but not great, and her character is pretty obnoxious herself. A lot of this is the sort of ripping each other apart that happens when a relationship goes sour, but it's not not promising when you not only root for the couple to break up, you want them to do so the moment they hit the screen.
This film has a couple of Blanche nominations for foreign film. I wonder what they saw in it. |
_________________ Rocky Laocoon foretold of Troy's doom, only to find snaky water. They pulled him in and Rocky can't swim. Now Rocky wishes he were an otter! |
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| ehle64 |
Posted: Fri Feb 08, 2008 2:13 am |
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Joined: 20 May 2004
Posts: 7149
Location: NYC; US&A
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Something you didn't I suppose. Best to just get used to it. I mean, I rarely see half of the "enchanted" stuff you seem to write about, but I don't make a fuss.
Actually, I only seem to really make a fuss when I'm passionate about something and either people won't bother, can't get to see, or want to see me flail about in here against their opposition. Not anymore my friends. It's a new ehle64 morning. Keep on keeping on (as I remember some really hep cat saying in here from days gone by).
Groovy times. . . |
_________________ It truly disappoints me when people do something for you via no prompt of your own and then use it as some kind of weapon against you at a later time and place. It is what it is. |
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| Syd |
Posted: Fri Feb 08, 2008 2:15 am |
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Site Admin
Joined: 21 May 2004
Posts: 12944
Location: Norman, Oklahoma
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| On the other hand, I'm about halfway through Paris, Je T'Aime, which an odd film which I'm finding very enjoyable. This is essentially a series of a lot of short pieces each of which is inspired by a Paris landmark. Some of the pieces are little short stories, others are vignettes. The Coen brothers are here with a funny short story starring Steve Buscemi finding himself in a surreal adventure in the Paris Metro. His guidebook has useful pointers, including don't look people in the eye (which he promptly does) and beware of venereal disease, and has translations of obscene French phrases. There's another one where a kid tells how his parents met in prison which is very cute and silly. There's a vignette involving Nigerian immigrants that's sweet and poignant. There was one piece that was narrated that would have been much better if it had been acted, and one that is a minor practical joke, but over all, the success rate is very good. Some of the shorter pieces leave you hungry to hear the rest of the story. |
_________________ Rocky Laocoon foretold of Troy's doom, only to find snaky water. They pulled him in and Rocky can't swim. Now Rocky wishes he were an otter! |
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| Syd |
Posted: Fri Feb 08, 2008 3:24 am |
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Site Admin
Joined: 21 May 2004
Posts: 12944
Location: Norman, Oklahoma
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ehle64 wrote: Something you didn't I suppose. Best to just get used to it. I mean, I rarely see half of the "enchanted" stuff you seem to write about, but I don't make a fuss.
Actually, I only seem to really make a fuss when I'm passionate about something and either people won't bother, can't get to see, or want to see me flail about in here against their opposition. Not anymore my friends. It's a new ehle64 morning. Keep on keeping on (as I remember some really hep cat saying in here from days gone by).
Groovy times. . .
And it had a 87% rating on RottenTomatoes, so obviously I'll be in a minority on it. And I'll certainly give Julie Delpy another chance because I respect her. Maybe with a less annoying male character I would have liked the film.
I'm not about to start checking out the movies with 13% percent on RottenTomatoes to see if I like them, although I did give Aeon Flux a chance a few years ago and it wasn't much above that. As for One Missed Call (0% favorable reviews out of 60), I'll take their word for it. They couldn't find a single quote whore to say they liked it?
(Meet the Spartans is at 3% and Fool's Gold at 6%, which is about what I would have expected from the trailers. I'll leave the reviews of those to someone else.)
The local Hastings has something like 60 copies of The Assassination of Jesse James by the Coward Robert Ford and they're all being rented, damn it. Maybe the movie will be a hit on video.
On the other hand, they have 100 copies of Good Luck Chuck of which about 95 are still on the shelf, and 60 copies of Sydney White, which sucks.
They have 200 copies of 3:10 to Yuma, but it looks like they won their bet on that one, because more than half are out. Great movie, but 200 copies seems a bit excessive. |
_________________ Rocky Laocoon foretold of Troy's doom, only to find snaky water. They pulled him in and Rocky can't swim. Now Rocky wishes he were an otter! |
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| mo_flixx |
Posted: Fri Feb 08, 2008 9:02 am |
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Joined: 30 May 2004
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Syd wrote: I didn't like 2 Days in Paris, in which a female photographer (Julie Delpy) and her boyfriend (Adam Goldberg) complete their disastrous European vacation with two days in her home town visiting her parents, meeting her numerous old boyfriends and slouching more and more toward a break-up. The big problem is that Goldberg's character is a self-centered whining jealous jerk that I don't believe would last beyond the first date with the photographer. Although she is vision-impaired, I don't think she's supposed to be deaf as well. Delpy's better but not great, and her character is pretty obnoxious herself. A lot of this is the sort of ripping each other apart that happens when a relationship goes sour, but it's not not promising when you not only root for the couple to break up, you want them to do so the moment they hit the screen.
This film has a couple of Blanche nominations for foreign film. I wonder what they saw in it.
I saw the film and also PARIS, JE T'AIME which I've written about here several times and liked.
I nominated Delpy for Best Actress Blanche and would have given her a nod for Best Orig. Screenplay if I'd seen the dvd earlier. She's multi-talented (actor, writer, director, composer).
Yes, Adam Goldberg whines and is a neurotic hypochondriac. But he's funny. I loved his bit with the Bush-supporting American tourists.
NO ONE in this film is likeable. I think that's the point. But they _are_ funny.
The French ex-boyfriends are toads, the racist cabbie is obnoxious, the parents are loonies...do you see a hero here??
As to Goldberg's whining, the younger Woody Allen used to do the same kind of thing rather successfully.
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The Assass. of Jesse James movie strikes me as a perfect rental. Its slowness will be helped as viewers can put it on pause to get more snacks or go to the bathroom. They will love the gorgeous photography and forget that it is sooooo slow. |
Last edited by mo_flixx on Fri Feb 08, 2008 9:11 am; edited 1 time in total |
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| Trish |
Posted: Fri Feb 08, 2008 9:09 am |
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Joined: 21 May 2004
Posts: 2438
Location: Massachusetts
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mo_flixx wrote: SHOOT 'EM UP is a fast-paced cartoonish action picture starring Clive Owen, Monica Bellucci and Paul Giamatti. Director Mike Davis drew 17,000 cartoons which he animated for all the action sequences. He used these both as a presentation for financing and to show the actors and DP exactly what he had in mind for each scene.
Owen plays a carrot-wielding action hero who is trying to save an orphaned infant from a band of ruthless killers led by Paul Giamatti. Giamatti is just as evil a villain as I have ever seen. He is both funny and genuinely creepy.
I wonder how Trish liked Owen. I thought he was just about perfect in this movie - one of the best things I've seen him do.
This is a very rentable movie. A guilty pleasure and a whole lot more. I loved the rooftop scene with the lit sign. Davis throws in a lot of offbeat humor along with all the violence.
I wouldn't say it was the BEST thing he's been in (haven't you seen Croupier, Children of Men or Closer) but I enjoyed it for what it was - basically a sarcastic spoof of /tribute to action flicks and I enjoyed his brief (thank god for the "pause"button or I would have missed it ) nude scene with Bellucci. I thought some of the dialogue worked very well while a few choices fell sort of flat. Giamatti was wonderfully nasty. It looks like the actors had a ball |
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| mo_flixx |
Posted: Fri Feb 08, 2008 9:15 am |
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Joined: 30 May 2004
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Trish wrote: mo_flixx wrote: SHOOT 'EM UP is a fast-paced cartoonish action picture starring Clive Owen, Monica Bellucci and Paul Giamatti. Director Mike Davis drew 17,000 cartoons which he animated for all the action sequences. He used these both as a presentation for financing and to show the actors and DP exactly what he had in mind for each scene.
Owen plays a carrot-wielding action hero who is trying to save an orphaned infant from a band of ruthless killers led by Paul Giamatti. Giamatti is just as evil a villain as I have ever seen. He is both funny and genuinely creepy.
I wonder how Trish liked Owen. I thought he was just about perfect in this movie - one of the best things I've seen him do.
This is a very rentable movie. A guilty pleasure and a whole lot more. I loved the rooftop scene with the lit sign. Davis throws in a lot of offbeat humor along with all the violence.
I wouldn't say it was the BEST thing he's been in (haven't you seen Croupier, Children of Men or Closer) but I enjoyed it for what it was - basically a sarcastic spoof of /tribute to action flicks and I enjoyed his brief (thank god for the "pause"button or I would have missed it ) nude scene with Bellucci. I thought some of the dialogue worked very well while a few choices fell sort of flat. Giamatti was wonderfully nasty. It looks like the actors had a ball
I didn't say it was "the BEST" -- I said it was "one of the best" - BIG difference. Refer to my quote above.
I've seen all of the films you cite. His performance in SHOOT 'EM UP compares favorably to all of them. I stand by my original statement. |
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| Trish |
Posted: Fri Feb 08, 2008 9:29 am |
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Joined: 21 May 2004
Posts: 2438
Location: Massachusetts
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| sorry I misquoted you. I certainly would rank it higher than this year's E: TGA but I like better too many other of his performances to rank it among his best - still, like I said, I was entertained. |
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| Joe Vitus |
Posted: Fri Feb 08, 2008 9:35 am |
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Joined: 20 May 2004
Posts: 14498
Location: Houston
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Syd wrote: I didn't like 2 Days in Paris, in which a female photographer (Julie Delpy) and her boyfriend (Adam Goldberg) complete their disastrous European vacation with two days in her home town visiting her parents, meeting her numerous old boyfriends and slouching more and more toward a break-up. The big problem is that Goldberg's character is a self-centered whining jealous jerk that I don't believe would last beyond the first date with the photographer. Although she is vision-impaired, I don't think she's supposed to be deaf as well. Delpy's better but not great, and her character is pretty obnoxious herself. A lot of this is the sort of ripping each other apart that happens when a relationship goes sour, but it's not not promising when you not only root for the couple to break up, you want them to do so the moment they hit the screen.
This film has a couple of Blanche nominations for foreign film. I wonder what they saw in it.
I loved the movie, and thought Goldberg's willingness to play up his character's obnoxious side was pretty daring. Delphy cracked me up, and I love that she didn't make her character a victim. The movie worked for me. |
_________________ You've got a great brain. You should keep it in your head.
-Topher |
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| mo_flixx |
Posted: Fri Feb 08, 2008 10:31 am |
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Joined: 30 May 2004
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Joe Vitus wrote: Syd wrote: I didn't like 2 Days in Paris, in which a female photographer (Julie Delpy) and her boyfriend (Adam Goldberg) complete their disastrous European vacation with two days in her home town visiting her parents, meeting her numerous old boyfriends and slouching more and more toward a break-up. The big problem is that Goldberg's character is a self-centered whining jealous jerk that I don't believe would last beyond the first date with the photographer. Although she is vision-impaired, I don't think she's supposed to be deaf as well. Delpy's better but not great, and her character is pretty obnoxious herself. A lot of this is the sort of ripping each other apart that happens when a relationship goes sour, but it's not not promising when you not only root for the couple to break up, you want them to do so the moment they hit the screen.
This film has a couple of Blanche nominations for foreign film. I wonder what they saw in it.
I loved the movie, and thought Goldberg's willingness to play up his character's obnoxious side was pretty daring. Delphy cracked me up, and I love that she didn't make her character a victim. The movie worked for me.
Exactly.
Also part of what makes him tolerable is that he's playing a fish out of water. He can't even buy a burger in Paris. |
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