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movielover14
Posted: Sat Feb 24, 2007 1:43 am Reply with quote
Joined: 07 Mar 2006 Posts: 160 Location: Salt Lake City,Utah
chillywilly wrote:
Befade wrote:
I did it. I watched all of The Departed. I wish I hadn't watched it alone. I feel like I've seen a horror movie. What's that song......"Everybody must get stoned"? The Departed could have been called "Everybody must get killed"

Yuck.......doesn't make me feel good to go to bed after this one......

Getting past the multiple victims, did you like the direction? The cast? The dialouge?


I would like to see The Departed. I still haven't seen it yet. It looks very good.

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movielover14
Posted: Sat Feb 24, 2007 1:49 am Reply with quote
Joined: 07 Mar 2006 Posts: 160 Location: Salt Lake City,Utah
I recently saw the Queen. I was really good. I thought Helen Mirren did a very good job in it. One thing I thought they were going to show more of was the queen's life. I thought they were going to show more of her life before getting in to Diana's death. But I still thought it was very good.

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Rod
Posted: Sat Feb 24, 2007 2:59 am Reply with quote
Joined: 21 Dec 2004 Posts: 2944 Location: Lithgow, Australia
Lawrence of Arabia's one of the four or five greatest English-language films made. Calling it a snoozefest is the height of cinematic illiteracy. Sorry but it's that visceral a response for me. And O'Toole's a great actor. Certainly not up to the mighty standard of Kevin Costner, but great.

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Marc
Posted: Sat Feb 24, 2007 3:07 am Reply with quote
Joined: 19 May 2004 Posts: 8424
LAWRENCE OF ARABIA may be a snoozefest in terms of plotting or narrative arc, but it is unquestionably a great visual experience. And the visual language of a film can be far more enthralling than the language of drama.
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Rod
Posted: Sat Feb 24, 2007 3:14 am Reply with quote
Joined: 21 Dec 2004 Posts: 2944 Location: Lithgow, Australia
Marc wrote:
LAWRENCE OF ARABIA may be a snoozefest in terms of plotting or narrative arc.


Nor is it that. It's deeply layered, cryptic study of a man going mad and his madness being used for political ends, of the ironies of hero-worship and warfare, and just a good thumping war story too. The final scenes are eloquent to near-Shakespearean in its subtly vast tragedy.


Last edited by Rod on Sat Feb 24, 2007 3:34 am; edited 1 time in total

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jeremy
Posted: Sat Feb 24, 2007 3:19 am Reply with quote
Joined: 21 May 2004 Posts: 6794 Location: Derby, England and Hamilton, New Zealand (yes they are about 12,000 miles apart)
I know this has been said before, but the scene where Omar Sharif appears out of the desert, first a barely perceptible dot on the horizon gradually becoming a shimeering shape and then a rider until after a couple of minutes he hoves into view is one of the great scenes in cinema. It is both beautiful and, in an I-can't-stand-it-anymore sort of way, as tense as anything found in any thriller or horror film. Lean is actually reported as saying he regrets losing his nerve and not making the scene even longer - he cut to O'Toole and removed a large chunk of Sharif's arrival.

I suppose it is in the eye of the beholder whether spending three minutes watching a shape in an empty landscape slowly getting bigger and coming onto focus is rivetting cinema or yawn inducing. I fall into the former camp.

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Rod
Posted: Sat Feb 24, 2007 3:38 am Reply with quote
Joined: 21 Dec 2004 Posts: 2944 Location: Lithgow, Australia
Lean was a former editor, so he knew the rhythms and contructive dialogue of film inside out. He knew that if carefully prepared, one long shot could be riveting. If carefully prepared for. As opposed to some directors who think if you change the camera set-up once every five minutes you've created some incredible art of minimalism, with all its entailed anti-capitalist, anti-consumerist, pro-feminist meaning (or at least that's would you'd think it meant according to a certain variety of critic, when it is in fact just boring cinema)

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ehle64
Posted: Sat Feb 24, 2007 3:54 am Reply with quote
Joined: 20 May 2004 Posts: 7149 Location: NYC; US&A
jeremy wrote:
I suppose it is in the eye of the beholder whether spending three minutes watching a shape in an empty landscape slowly getting bigger and coming onto focus is rivetting cinema or yawn inducing. I fall into the former camp.


Me, too. And I believe so does Van Sant. I never even thought about it, but there's a great scene like that in Gerry that probably does go the whole 3 minutes.

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billyweeds
Posted: Sat Feb 24, 2007 8:02 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
ehle64 wrote:
jeremy wrote:
I suppose it is in the eye of the beholder whether spending three minutes watching a shape in an empty landscape slowly getting bigger and coming onto focus is rivetting cinema or yawn inducing. I fall into the former camp.


Me, too. And I believe so does Van Sant. I never even thought about it, but there's a great scene like that in Gerry that probably does go the whole 3 minutes.


Not to mention the long shot outside the house in Last Days.

One can call me lacking in taste and get absolutist on my ass, but that still won't make me love Lawrence of Arabia. I will perhaps revisit it, however.
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billyweeds
Posted: Sat Feb 24, 2007 8:04 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
Very funny article, Rod. Glad you didn't cite Lawrence of Arabia. And that you held back about Notes on a Scandal. If you'd let out your true feelings about it, I think you would have lost credibility big time.

Loved your comments about Forest Whitaker the world-class actor and the sub-mediocre director. The power he manifests on screen turns wimpy and bland behind the camera.


Last edited by billyweeds on Sat Feb 24, 2007 8:08 am; edited 1 time in total
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billyweeds
Posted: Sat Feb 24, 2007 8:06 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
Marc wrote:
LAWRENCE OF ARABIA may be a snoozefest in terms of plotting or narrative arc, but it is unquestionably a great visual experience. And the visual language of a film can be far more enthralling than the language of drama.


I totally agree that Lawrence is a visual marvel. That wasn't enough for me. All that sand seemed to be a present from Mr. Sandman.
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grace
Posted: Sat Feb 24, 2007 8:22 am Reply with quote
Joined: 11 Nov 2005 Posts: 3211
billyweeds wrote:
One can call me lacking in taste and get absolutist on my ass, but that still won't make me love Lawrence of Arabia. I will perhaps revisit it, however.


Just FYI -- It's on Turner Classic today, 4-8pm (Eastern).
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billyweeds
Posted: Sat Feb 24, 2007 8:28 am Reply with quote
Joined: 20 May 2004 Posts: 20618 Location: New York City
grace wrote:
billyweeds wrote:
One can call me lacking in taste and get absolutist on my ass, but that still won't make me love Lawrence of Arabia. I will perhaps revisit it, however.


Just FYI -- It's on Turner Classic today, 4-8pm (Eastern).


Thanks. Will TiVo.
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whiskeypriest
Posted: Sat Feb 24, 2007 11:30 am Reply with quote
Joined: 20 May 2004 Posts: 6916 Location: "It's a Dry Heat."
Billy, Billy, Billy.

First praise for Kevin Costner, then panning Eternal Sunshine, now dissing both O'Toole and Lawrence of Arabia? Billy, Billy, Billy. Whatever are we going to do with you.

For what it's worth, my two favorite O'Toole performances are Henry II in Lion in Winter, and Alan Swann in My Favorite Year, because O'Toole understands that if you are going to go over the top, GO OVER THE TOP. He should have won the Oscar over Cliff Robertson in Charly, and Ben Kinglsey in the boring, let's all feel good about ourselves by watching this uplifting piece of "entertainment," Ghandi.

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Nancy
Posted: Sat Feb 24, 2007 11:34 am Reply with quote
Joined: 20 May 2004 Posts: 4607 Location: Norman, OK
movielover14 wrote:
I would like to see The Departed. I still haven't seen it yet. It looks very good.


movielover,

It is good. So is Infernal Affairs, the film it's a remake of. Both are well worth checking out.

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